The scenery, people, and objects we see seem to exist, but they are merely a phenomenon recognized as light. Furthermore, these scenes are never static and are constantly changing, and for people they can only be said to "exist" as memories - in a sense, they are fragile fragments of everyday life. In this work, I attempted to express this fluctuating daily life by creating a three-dimensional image of the photograph and then reconstructing it like a puzzle. The contours of photographs made three-dimensional on film change depending on the distance and angle, and at the same time, the reflective surface reduces their function as a photographic record. Emerging from the abstracted screen are people related to me, but apart from that relationship, perhaps the uncertainty that accompanies the act of "memorizing and recording" can also be seen.
The view that people see does not stand still. From what we call space, people, and stuffs are kinds of phenomenon, which is only a fragment of memory.